top of page

Copia de cuadrado QIFF 2024.png

INTERNATIONAL
QUEER FILM FESTIVAL

11

va

EDICIÓN

14-20 INOVIEMBRE | 2024

Playa del Carmen, Q.Roo, México

loader,gif

Aportación Voluntaria

APOYA EL FESTIVAL

Dona desde $50mxn y apoya al festival

SELECCIÓN OFICIAL 2024

AGAVES AL ALBA, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Lex Renteria, Lex Renteria, Jacobo Iñiguez, Lex Renteria, Tamara Sánchez, José Mendoza, Abraham Rios, Diego Ramírez, Kauyi, -, International Queer Film Festival

AGAVES AL ALBA

AGRIDULCE, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Canción Diez, Canción Diez, Canción Diez, Canción Diez, Juan Ocampo, Roberto Jerr, Manuel Galicia, Canción Diez Films, Benjosh, International Queer Film Festival

AGRIDULCE

AMOR NO INTIMIDES, ESTADOS UNIDOS, MEJOR CORTOMETRAJE DOCUMENTAL EXTRANJERO, llysa Spencer, Spencer, Yoyo Anchondo, llysa, , MESA, llysa, International Queer Film Festival

AMOR NO INTIMIDES

ANDRÓMEDA, MÉXICO, MEJOR ANIMADO, Alejandro Cervantes, Alejandro Cervantes, Daniela Miranda y Juan Carlos Enríquez, Jannay Díaz, Alejandro Cervantes y Juan Carlos Enríquez, Samantha Quezada, Onibo Colectivo, Eduardo Covarrubias M., International Queer Film Festival

ANDRÓMEDA

ARIHUÁ, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Guillermo Vejar., Guillermo Vejar., Fergan Chávez - Ferrer AMC., Yael Jáquez / Ishak Jalimam / Luis Carlos Useche / Guillermo Vejar / Lara Grozdanic, Fernanda Jáquez, Cristian Mozqieda, Luis Carlos Useche, Eva Pérez, Daniela León , Gatuno Films, Oskar Tena, International Queer Film Festival

ARIHUÁ

AUGUST, MÉXICO, MEJOR CORTOMETRAJE UNIVERSITARIO, Alejandra Navarro Beltrones, Alejandra Navarro Beltrones, Alejandra Diaz Salmeron/ Ernesto Hernandez, Javier Castro Lopez, Abigail Jurado, Diana Ponce, Adrian Ptacnik, Marco Aguilar, Josefina Mariscal, -, Curleh, International Queer Film Festival

AUGUST

BUEN PARTIDO, MALA CITA, ESTADOS UNIDOS, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Xin Jiang, Xin Jiang, Kuo Shih-Hsuan, Charles Schemm, Todd Lien, Aaron Ratnayeke, Joy Chu, Cathrine Yu, N/A, Mike Parsons, International Queer Film Festival

BUEN PARTIDO, MALA CITA

BÉSAME, FRANCIA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Hristo Todorov, Hristo Todorov, François Szabowski, Hristo Todorov, Tom Vallejo, Cédric Omont, Auto production, Joris Hermy, International Queer Film Festival

BÉSAME

CAFFÉ DE 2 & 3, CHILE, MEJOR CORTOMETRAJE UNIVERSITARIO, Noel Yates, Sofia Barahona, Noel Yates, Fernanda Reyes, Jacob Elia, Cristobal Gallardo, Nathalie Kozak, Fernanda Reyes, Martin Pardo, International Queer Film Festival

CAFFÉ DE 2 & 3

CATBOY , ESPAÑA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Cristian Sitjas, Cristian Sitjas, Oriol Rojas, Bex Stewart, Panterino, Javier des Leon, Cacao, Jaycee, Erika Lust, Marc Little, International Queer Film Festival

CATBOY

CHAVO, SUECIA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Alecio Araci, Alecio Araci, Arpi Sahakyan , Bitte Andersson, Michell Tatter Alfredsson , Ado Mehić Džafić, Rosmari Kaldaras, Ardijan Bunjoshi, Paul Dandos, Alicia Hansen, Trent Hedayati & Anders Peev, International Queer Film Festival

CHAVO

CLAMOR, MÉXICO, MEJOR CORTOMETRAJE UNIVERSITARIO, Gustavo Lorenzo, Gustavo Lorenzo, Aziel Cazares, Gustavo Lorenzo, Carlos L. Ramírez, Eduardo Linares, N/A, N/A, International Queer Film Festival

CLAMOR

CLOSE, ITALIA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Lorenzo Sicuranza, Lorenzo Sicuranza, Nicolò Riccomini, Lorenzo Sicuranza, Marco Fausto Daidone, Gianluca Meotti, Daniela Airoldi, -, Francesco Del Mecio, International Queer Film Festival

CLOSE

COBALTO, International Queer Film Festival

COBALTO

COMPLEJO DE ALGO, ARGENTINA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Rita Hostt y Tadeo Pestaña Caro, Rita Hostt, RED Komodo, Tamara Galeano , Rita Hostt, Nuria Wassaf, Coni Marino, Ale Granado, -, Tincho Brass, International Queer Film Festival

COMPLEJO DE ALGO

DESPIDE A TU FUCKBOI, ESPAÑA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Carlos Jiménez , Carlos Jiménez, Claudia Collados y Daniel Hernández , Nicole J. Gallo y Joseba Candas, Nacho Zorrilla , Sergio San Millán, Luis Carrasco, Trampoline, Javier Oleada, International Queer Film Festival

DESPIDE A TU FUCKBOI

DIP, PERÚ, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Luciano Perochena, Luciano Perochena, ALEJANDRO BECK E., Lethicia Mendoza Guillen, Nía Zambrano, -, Daniel Tolentino, Lía García, Luciano Perochena, LUKITACHINA EIRL, RAFAEL CARRANZA, International Queer Film Festival

DIP

DOS ENTRE MUCHOS, MÉXICO,MEJOR CORTOMETRAJE FICCION MÉXICO

DOS ENTRE MUCHOS

DOS SOLEDADES, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Pável Estrella, Pável Estrella, María Córdova, Fernanda Borges, Belén Jiménez, Javier Castillo, David Herrera Manterola, Tayatzin Ponce, Jesús Mosqueda, André Robles, Nebulosa producciones, Mandy Barrón, Alexis Mvgler, Yedinka, MOSBI, International Queer Film Festival

DOS SOLEDADES

DULCE SABOR, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Moisés Suárez y Javier Carreón, Javier Carreón, Jorge Hernández, Hugo Cáceres, Anabel Dueñas, Ari Villalpando, Daniel Henrich, Ernesto Hernández, Hugo Cáceres, Strobo, EU Producciones Musicales, International Queer Film Festival

DULCE SABOR

DYOSMOS, GRECIA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Alexandros Georgios Sotiropoulos, Alexandros Georgios Sotiropoulos, Arsinoi Pilou, Alexandros Georgios Sotiropoulos, Iasonas Kastoris, Erato Karathanasi, Elias Karakonstantakis, Margarita Siotou, -, -, International Queer Film Festival

DYOSMOS

EL DÍA COMENZÓ AYER, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, l, International Queer Film Festival

EL DÍA COMENZÓ AYER

EL PRIMER BESO, ESPAÑA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Miguel Lafuente, Miguel Lafuente, Irene García Martínez, Miguel Lafuente, Julio Bohigas Couto, Julio Bohigas Couto, Aritz Itoiz, Aritz Itoiz, Álvaro Lucas, Fátima Baeza, Aritz Itoiz, Álvaro Lucas, Fátima Baeza, miguel.lafuente@gmail.com, Ninguna, International Queer Film Festival

EL PRIMER BESO

ELECTROCARDIOGRAMA, ARGENTINA, CHILE, MEJOR LARGOMETRAJE FICCIÓN EXTRANJERO, Valen Camus, Valen Camus, Sergio Sosa, Matías Giacumbo, Dan Pirro , Cam Fernandez, Lina Perdomo , Lourdes Alonso, Ina Faccini , Stella Maris Isaldi, Lihuen Elias Fiorotto, Ezequiel Kosiner Blanco, Eduardo Maggiolo, Victoria Beccaglia, Sol Miras, Pablo Daolio, Miguel Valdiviezo, Daniela Pérez Ibarra, Sofía Jazmín Nieto Alejandro Patricio Sofia Granel Eliseo Borgetto Tam Molina Máximo Corengia Micaela Shinka Carolina Bergero Micaela Madelaine Sandes María Sol Fuentes Acuña Gabriela Sofia Britos Michelle Juliette Flen Puch María Candelaria Gauffin Jorge Alfredo Gustavo Thefs Martín Toledo Tatiana Silberstein Federico Steib Juana Banchoff Tzancoff Facundo Nahuel Aguirre Fernández Lola de Dolores Francisca Zabala Rico Schüpbach Victoria Chionetti Sol Figueroa Sol Lemonni Ikki Goldin Gav Akun Christian Sibille, Lihuen Elias Fiorotto Ezequiel Kosiner Blanco Eduardo Maggiolo Victoria Beccaglia Sol Miras Pablo Daolio y Miguel Valdiviezo Daniela Pérez Ibarra Sofía Jazmín Nieto Alejandro Patricio Sofia Granel Eliseo Borgetto Tam Molina Máximo Corengia Micaela Shinka Carolina Bergero Micaela Madelaine Sandes María Sol Fuentes Acuña Gabriela Sofia Britos Michelle Juliette Flen Puch María Candelaria Gauffin Jorge Alfredo Gustavo Thefs Martín Toledo Tatiana Silberstein Federico Steib Juana Banchoff Tzancoff Facundo Nahuel Aguirre Fernández Lola de Dolores Francisca Zabala Rico Schüpbach Victoria Chionetti Sol Figueroa Sol Lemonni Ikki Goldin Gav Akun Christian Sibille, Lihuen Elias Fiorotto Ezequiel Kosiner Blanco Eduardo Maggiolo Victoria Beccaglia Sol Miras Pablo Daolio y Miguel Valdiviezo Daniela Pérez Ibarra Sofía Jazmín Nieto Alejandro Patricio Sofia Granel Eliseo Borgetto Tam Molina Máximo Corengia Micaela Shinka Carolina Bergero Micaela Madelaine Sandes María Sol Fuentes Acuña Gabriela Sofia Britos Michelle Juliette Flen Puch María Candelaria Gauffin Jorge Alfredo Gustavo Thefs Martín Toledo Tatiana Silberstein Federico Steib Juana Banchoff Tzancoff Facundo Nahuel Aguirre Fernández Lola de Dolores Francisca Zabala Rico Schüpbach Victoria Chionetti Sol Figueroa Sol Lemonni Ikki Goldin Gav Akun Christian Sibille, Limitrofe, Da Funk Squad (Kachi Homeless y Sebastían Morell), Ariel Momferolli, Emiliano Brunetti, Manuel Perez Vizán , International Queer Film Festival

ELECTROCARDIOGRAMA

ELENA, LYDIA Y TERE, PUERTO RICO, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, José A. Rodriguez Mazzini, José A. Rodriguez Mazzini, José A. Rodriguez Mazzini, José A. Rodriguez Mazzini, Milialexandra González, Jenny García, Victor Alicea, Elenco Escena Alterna LLC., djeiii, La Culpa, International Queer Film Festival

ELENA, LYDIA Y TERE

EMERALD CITY, ESTADOS UNIDOS, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Josef Steiff, David Bobrow, Matthew Hayward, David Bobrow, Producer; Josef Steiff, Co-Producer, Alan Vazquez, Havon Baraka, Arasha Lalani, Rob Riordan, Secreto Films & inVisibility Productions, Dylan Love & Catherine Nguyen, International Queer Film Festival

EMERALD CITY

EN EL OTRO LADO DE, ESTONIA, MEJOR CORTOMETRAJE DOCUMENTAL EXTRANJERO, Mia Felic, n/a, Mia Felic, n/a, , n/a, n/a, International Queer Film Festival

EN EL OTRO LADO DE

ENCUÉNTRAME, TURQUÍA, MEJOR CORTOMETRAJE UNIVERSITARIO, Elif Aybüke AKDERE(CİO), Ferit Ekin Kırşan, Bulut BARDAK, İzmir Film ve Televizyon Yapımcıları Derneği, Enes Yıldırım, Pamir Ateş, Güney Daşğın, Serdal Kerse, Ferit Ekin Kırşan, İzmir Sinema Evi, Çağdaş Turgut, International Queer Film Festival

ENCUÉNTRAME

EQUIPO, ESPAÑA, MEJOR CORTOMETRAJE UNIVERSITARIO, Miguel Carrillo Rosales & Ángel Torrego Valdivieso, Ángel Torrego, Keith Arnold, Esther Poch & Samuel Zuluaga, Quique Niza, Álex Peral, Javier Hernández, José Rueda, Fede Gallardo, Ignacio Serrano, Celia Monedero, Getivo Productions, Javier Casado Sudupe, International Queer Film Festival

EQUIPO

EXTERNAL EXCHANGE, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Nino Yeverino Heyser, Nino Yeverino Heyser, Nino Yeverino Heyser, Nino Yeverino Heyser, Angel Gallardo Valadez, Mariana Moran, Ricardo Mejia, Independiente, Free Copyright, International Queer Film Festival

EXTERNAL EXCHANGE

FRICCIÓN , MÉXICO, MEJOR CORTOMETRAJE UNIVERSITARIO, Alonso Velasco, Alonso Velasco Y Diego Zenteno, Diego Zenteno, Miriam Cuautle, Cristian Andrade, Dano Labadie, Gangas Films, Oscar Solano, International Queer Film Festival

FRICCIÓN

IF, INDIA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Tathagata Ghosh, Buan G., Sayan Biswas, Tathagata Ghosh, Adrija Majumdar, Shivamrita Chakraborty, Bimal Giri, Paromita Mukherjee, Ranodeep Nandy, Tathagata Ghosh, Nabarun Bose, International Queer Film Festival

IF

JEANNE, FRANCIA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Léo Holderbaum, Léo Holderbaum, Benjamin Minel, Léo Holderbaum, Léopold Buchsbaum, Léa Philippe, Alexis Baginama, Léo Holderbaum, Samuel Marot-Saferis, International Queer Film Festival

JEANNE

KORDOVERO 22, ISRAEL, MEJOR LARGOMETRAJE FICCIÓN EXTRANJERO, Gal Primack Najari , Gal Primack Najari , Gal Primack Najari , Gal Primack Najari , Itzik Mahluf, Ran Duani, Gal Primack Najari, Artlist.com, International Queer Film Festival

KORDOVERO 22

LA HUELLA DE UNOS LABIOS, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, l, International Queer Film Festival

LA HUELLA DE UNOS LABIOS

LA LARGA VIDA DE LOS RECUERDOS, ARGENTINA, MEJOR LARGOMETRAJE FICCIÓN EXTRANJERO, MARIANA CECILIA RUSSO y ALBERTO MASLIAH, GUSTAVO CABAÑA, VIRGINIA ROJAS, LUCAS SANTA ANA, Ricardo Merkin - Agustin Vazquesz Corbalan, Ariadna Asturzzi - Estela Gareli, Julia Amore, Daniel Lambertini, Santiago Magariños, SOMBRACINE SRL, MARIANO FERNANDEZ - GABO FERRO, International Queer Film Festival

LA LARGA VIDA DE LOS RECUERDOS

LA NECESIDAD, PAÍSES BAJOS, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Jonnah Bron, Marleen Meier & Geerten Stumpel, Freek Zonderland, Inge den Adel, Cece, Gigi, Mila Vanilla, Cherrbrown, Anoniem, Joël Castillo, Kanea Blokland, Pam Schokker, Bebe, Benni, Dániel van Tiggele, Nikita Morozov, Isabelle Juursema, Melanie, Inge den Adel, Charlotte Dommershausen & Angus Haevinga, International Queer Film Festival

LA NECESIDAD

LA ULTIMA TOMA, ESTADOS UNIDOS, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Brian Foyster, Brian Foyster, Joshua Tendero, Michael McCartney , William, William, Robert John Burke, Liam Burke, Josh Trant, Michael McCartney , N/A, International Queer Film Festival

LA ULTIMA TOMA

LA VIRGEN DE LOS MÁRTIRES , MÉXICO , MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Alberto Aguilar , Alberto Aguilar , Jan Oleynick, Jan Oleynick , Froylan Tierrablanca , René Nito , Ivanna Tovar , Omar Devil, Karla Catiel , The Psyco Bunny Films , Octavio Contreras , International Queer Film Festival

LA VIRGEN DE LOS MÁRTIRES

LOS DOMINGOS QUE QUEDAN, ESPAÑA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Manolo Pavón, Manolo Pavón, Ernesto Reguera, La Canica Films, Miguel Rivera, Luz Valdenebro, Jordi Planas, María Rivera, La Canica Films, Antonio Garamendi, International Queer Film Festival

LOS DOMINGOS QUE QUEDAN

LOS PELIGROS DE PINTARSE LAS UÑAS EN LA CAMA, MÉXICO, MEJOR CORTOMETRAJE UNIVERSITARIO, Natalia Franco, Natalia Franco, Saúl Montañez, Natalia Franco y Saúl Montañez, Helena Villela, Ana Salazar, Nereida Vaca, Franco, Noa Bentor, International Queer Film Festival

LOS PELIGROS DE PINTARSE LAS UÑAS EN LA CAMA

LUKAS M., FRANCIA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Lucien Burckel de Tell, Lucien Burckel de Tell, Maxence Muller, Dayan D. Oualid, Thibault Servière, Mickaël Winum, Alexandre Djuric, Ema Zampa, Dayan Oualid, Trois jours de marche, Basshunter, International Queer Film Festival

LUKAS M.

MELISSA, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Marc Vega, Luidsg Gonzarroch, Roberto Sainz, Emilio Jímenez, Benjamín Luque, Edgar Amaro, Marciano Mañoso, NP, International Queer Film Festival

MELISSA

MI MADRE, UGANDA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Masadde Isaa Yusuf , MAAMA WANGE Written by MIREMBE DOREEN mirembedoryn33@gmail.com +256 702 487836 FADE IN: 1 EXT. KATANGA SLUM - DAY 1 From the blurry rainfall noise, we see a washed-out wooden sign reading "KATANGA." Heavy rains wash the horizon and the earth of Katanga slum. We hear - a distant voice: BRENDA (V.O) (subtitled in English: Mother. Mother.) Maama. Maama. (pause.) Every person has a way to describe their mother. Some lucky children tell stories about; their beautiful life, all the things they have and their loving parents. But mine was different. DISSOLVE TO: 2 INT. KATANGA SLUM - NAMBI’S HOUSE - DAY (CONTINUOUS) 2 Inside the house, we see Nambi, 27s - sleeping with her daughter (Brenda), 6s - down on a ragged bed covered with a filthy blanket. The only sound we hear are the glassy-punches of the rain crushing from outside. CU: on Nambi’s face, we see a scar somewhere on her right side eye, and here, the alarm rings. An old cellphone tied with rubber bands rests somewhere close to Nambi who reaches for it with her left hand and calms its vibration. Nambi looks at Brenda, sleeping - she kisses her on the forehead with a morning smile on her face. But Brenda simply turns away and sinks in her dreams unaware. MONTAGE OF: Nambi lights the charcoal stove. She flies samosas. She irons Brenda’s uniform. She dresses Brenda. She smears jelly on Brenda’s skin while she sings for her in the silhouette of the rain outside. END MONTAGE. NAMBI (singing in Luganda.) " - Nsangi Nsangi Nsangi mwana wange..." Nambi hopefully sings for Brenda with a smile on her face, but Brenda looks emotionally dry upon their situation. 3 EXT. KATANGA SLUM - ROADSIDE - DAY 3 Nambi walks with Brenda on the roadside as she sells samosas stuffed in a transparent bucket. Nambi calls-out to a woman passing-by. NAMBI (subtitled in English: "Samosas. Samosas. Madam will buy please?) Sumbusa. Sumbusa. Nyabo onagulako bambi? Nambi sees her Land-Lord walking before her irritably. LAND LORD (subtitled in English: Hey Nambi, don’t forget on Thursday I want my money. You hear me?) Gwe Nambi, tewelabila k’lwokuna njagala ssente zange. Owulidde? NAMBI (politely.) (subtitled in English: Good morning landlord?) Wasuze otya landlord? The Land-Lord looks at her lamentably. LAND LORD (subtitled in English: Look for another place after paying me. ) Nonya ewo’kwewoogoma nga omazze okunsasula. The Land-Lord walks away from Nambi as she looks at him silently in perplexity. NAMBI (nerve-racking.) Eh--banage! I don’t know if today - Brenda holds Nambi’s hand with assurance. BRENDA Maama don’t worry, you’re going to sell all the samosas. (beat.) Your always doubtful...but at the end you sell all the samosas. (CONTINUED) CONTINUED: (2) -- and as they hoof on the grubby roadside, a woman stops them and: WOMAN# (quick and nosy.) (subtitled in English: Madam, were they made today?) Nyabo - zaleero? NAMBI (compliantly.) (subtitled in English: Yes madam, I made them today.) Ye nyabo, nazikozze leero. WOMAN# (subtitled in English: Okay, give me two.) Kale, mpaayo biiri. Nambi picks and packs two samosas in a polythene bag then she hands them to the woman who pays her and walks away. NAMBI (subtitled in English: Thank you so much.) Neyanzizza nyo. She covers her samosas and suddenly looks at Brenda who waits for her with an ’I-told-you-so’ expression swing on her face. NAMBI (CONT’D) Please don’t show me that face. Brenda giggles at herself as Nambi smiles at her and now, they continue with their journey. BRENDA (V.O) Sometimes...I find it easy to listen to other children’ stories about their mothers. 4 EXT. SCHOOL - DAY (CONTINUOUS) 4 BRENDA (V.O) What used to get me bothered about these children’ mothers, is how they took care of them ! - (beat.) They bought for them dolls. Good shoes. Sweet snacks and so many other things. Students sit in groups as they eat snacks in the compound of the school. Brenda looks at her fellows; opening juice packages, grubs and noshes. Brenda opens her container and looks at her sweet potato and two samosas. She quickly and undesirably closes the container. Looks around and here the bell rings as all students rush to their classes and now, Brenda furtively munches herself with her eats. REVERSE TO REVEAL -- two students sneakily walk behind Brenda and as she looks around, the students scare and provoke her. STUDENT 1# Gwe - late comer, why are you in a hurry? STUDENT 2# - always seen with a big potato in her container. (beat and cheekily.) I guess that’ what your mother can afford to offer? STUDENT 1# (impolitely.) Perhaps she sells both samosas and sweet potato? 5 EXT/INT. TAXI (MOVING SLOW)- DAY (CONTINUOUS) 5 Nambi doses with her bucket of samosas inside the taxi as she leans against the taxi’s window. A street kid knocks on the window and Nambi jumps out of her drowsy sleep. The kid begs for something from Nambi who pulls the taxi’s window open and hands the street kid a coin with a dull-grin of kindness. Nambi looks through the taxi’s window and sees the streets of Kampala with a melancholy expression. BRENDA(V.O) What’s my mother doing right now? Is she busy or not? And if so - why can’t she buy me good things? 6 INT. SCHOOL - CLASS - DAY (CONTINUOUS) 6 Teachers meet inside the class and they talk. Unheard. The teachers constantly peek at Brenda who observes them. She thinks at herself anxiously. 7 EXT. BRICK LAYING SITE - DAY/EVENING (CONTINUOUS) 7 Brenda walks on her way back home and she passes by the ’Brick Laying Site’ to meet her mother. She sees brick makers tending busy at themselves as well as a gang of smokers playing cards and doing other sort of things. One of the smokers sees Brenda. Maybe he knows her. He stands up and moves toward her - still smoking his cigarette. SMOKING GUY (subtitled in English: Hey Nambi! Nambi.) Gwe Nambi! Nambi. We hear Nambi’s voice sounding in the background. NAMBI O.S (subtitled in English: What?) Kiki? SMOKING GUY Your beautiful angel is here. Nambi enters the frame from somewhere garbed in dirty clothes. Brenda looks at her mother and the smoking guy with a tedious face. NAMBI Oh dear - you are here already? (beat.) Can you please wait for a moment? Nambi walks away from Brenda and goes to finish her work. She terribly coughs so hard in pain. People look at her sympathetically as well as Brenda. 8 EXT. KATANGA ORPHANAGE - DAY 8 Friskily, Brenda plays with her banana-fiber doll and behind her, we see a building with words reading: "KATANGA ORPHANAGE." BRENDA BRA BRA BLACK SHEEP HAVE YOU HAD -- CUT TO: Nambi and an old Catholic Sister walk out of a building as they talk. CATHOLIC SISTER Maama Brenda, please don’t lose hope in yourself?! NAMBI Sister, I have never lost hope. I do everything as it’s supposed to be done. I take my medication in time. I work hard for my daughter Brenda to live a happy life, and I also pray everyday. But you know its God who decides not us. Later, Nambi holds Brenda’s hand and they walk away from the orphanage. But as they foot toward the road, Brenda turns and looks at the Catholic Sister who looks at her too with a happy goodbye wave. BRENDA (V.O) I used to ask myself questions why my mother used to meet this old Catholic Sister? But I couldn’t get close to the answer. (pause.) The only thing I knew was that - my mother visited the old sister when her health situation worsened. And as a child, my mother gave me no room to ask about her health. 9 INT. KATANGA SLUM - NAMBI’S HOUSE - NIGHT 9 Nambi enters her house carrying two jerrycans of water. She rushes to the stove and carries off boiling water, then she tends to Brenda who does her homework feeling jaded down on the floor before a lighting lamp. NAMBI No - that’s not the answer. The answer is 60. Brenda waits to write her mothers answer and first looks at her: BRENDA (earnestly.) Maama I don’t feel safe at school. My fellow students tease me. Nambi looks at Brenda and holds her face with her right hand. With firm assurance - NAMBI (sincerely inspiring.) My dear daughter, you have to stand strong through hard-times. (beat. with a smile.) Now lets eat supper. BRENDA Okay maama. Nambi makes tea for Brenda and herself and they stuff roasted maize as they sip on their cups of tea hopefully. 10 INT. KATANGA SLUM - NAMBI’S HOUSE - DAY/MORNING 10 ANGLE ON -- Nambi’s cellphone rings with an alarm ring tone. We turn toward the bed and Nambi is nowhere to be seen. A figure uncovers itself from a cloth and this is Nambi -steaming herself with herbs and smoke. She coughs heavily as she prepares herself and later she wakes up Brenda. Nambi covers herself in the bed and Brenda wears her uniform and walks out of the house. 11 EXT. SCHOOL - DAY (CONTINUOUS) 11 OUTSIDE -- as Brenda walks around, she meets the girl she had recently fought with, and the girl provokes her with unheard words. Brenda covers her ears and runs away. 12 INT. KATANGA SLUM - NAMBI’S HOUSE - DAY/EVENING (CONTINUOUS) 12 Brenda enters the house and sees her mother sleeping at the edge of the bed. She moves around and sees roasted maize on a plate and tea, all covered. TIME-LAPS OF: Brenda eating the roasted maize and sipping on the cup of tea. She sits on the bed still stuffing herself with the maize. She notices something inside a polythene bag which hangs from the wall. She walks toward it and finds a small cake inside the polythene bag. END OF TIME-LAPS. Brenda smiles with optimistic expectations and she walks toward her mother maybe to thank her, but as she wakes her up, Nambi doesn’t get up. Brenda looks at her in shock. She runs out of the house and calls for help. 13 INT. HOSPITAL - NIGHT 13 The doctor walks toward the Catholic Sister with Brenda at the waiting area. The doctor delivers the information to her and she curls tensed upon the doctors report. Brenda sneakily enters the room where her mother is admitted at. She climbs the bed and sits while Nambi recovers from her rest and sees her. She smiles in pain and later - she coughs terribly. BRENDA (V.O) I can’t forget the last day I had with my mother. Seeing her failing to breath as she coughed so hard while she tried to tell me something I could not hear clearly -- made me so scared. Nambi coughs so hard as she tries to tell Brenda something. BRENDA (V.O) There were lots of things I didn’t know about my mother; how she knew the Catholic Sister? - who my father was? - her childhood background and her family? But through all this, I realized that my mother was a very hard working, caring strong woman. MONTAGE OF NAMBI’S FLASHBACK: The Catholic Sister picks Nambi from the streets. Nambi gets raped by a government official in the dark. Nambi and the Catholic Sister face the doctor who informs them that she contracted ’H.I.V Aids.’ Nambi carries baby Brenda in her arms. Nambi makes a doll from banana fibers. Nambi takes her medicine while she hides it from Brenda. END MONTAGE. WE ARE: INT. HOSPITAL - NIGHT (CONTINUOUS) Brenda cries out loudly for help as she calls Nambi who struggles to catch her breath in pain. She coughs so hard. The doctor and the Catholic Sister enter the room quickly. BRENDA (weepy.) (subtitled in English: Mother. Mother. My mother.) Maama. Maama. Maama wange. Nambi looks at Brenda helplessly and says: NAMBI I love you - baby Brenda. Nambi fails herself and dies in her daughters face while the Catholic Sister carries her away with tear creeping don on her face and the doctor covers Nambi’s body with the bed-sheet. CONTINUED: (3) BRENDA (V.O) (subtitled in English: I love too -- my mother.) Nange nkwagala nyo -- MAAMA WANGE. FADE OUT., Kizito Sydaisy Ssebowa, Mirembe Doreen, Mirembe Doreen, Natasha Ann Jovia, Kamusiime Ivan, Sauti Plus Media Hub, KAYP Africa, International Queer Film Festival

MI MADRE

MI PRIMERA COMUNIÓN, ESPAÑA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Ángel Villahermosa, Ángel Villahermosa, Cesar D, Lerma, Roberto Mansilla, Pablo Martín, Lucas Alcazar, Luis Miguel Torrecillas, TAI Studios, Josh Levoid, International Queer Film Festival

MI PRIMERA COMUNIÓN

MIDNA, ARGENTINA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Denisse Laub, Francisco Castro Pizzo , Denisse Laub, Francisco Castro Pizzo , Mariam Bakir , Denisse Laub, Francisco Castro Pizzo , Denisse Laub, Denisse Van Der Ploeg , Neven-k, Proyecto Excursus, Tomas Krittian , International Queer Film Festival

MIDNA

MILES IN BELLO. JUAN BERNIER EN LA GUERRA DE LOS ESPAÑOLES., ESPAÑA, MEJOR LARGOMETRAJE DOCUMENTAL EXTRANJERO, Rafael Bernier y Juan Antoni Bernier, Juan Antonio Bernier y Rafael Bernier, Rafael Bernier, Rafael Bernier, Juan Antonio Bernier, Fruto Previo, Fernando Vacas, International Queer Film Festival

MILES IN BELLO. JUAN BERNIER EN LA GUERRA DE LOS ESPAÑOLES.

MISMOS AMANTES, REINO UNIDO, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Kumara Raja, Script is in pdf, Sony A7S ii, Kumara Raja, Stefanos Dimoulas, Ankit Madhira, Jolene Legrand, Ayushi Jain, Ben Gad-Briggs, Pathumai Padam, Tony Halliwell, International Queer Film Festival

MISMOS AMANTES

MOST BEAUTIFUL EYES I’VE EVER SEEN, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Nino Yeverino Heyser, ninoyeverinoheyser, Nino Yeverino Heyser - Daniel Moreno , Nino Yeverino Heyser, Mariana Maciel , David Alanis, Independiente , Free copyright music, International Queer Film Festival

MOST BEAUTIFUL EYES I’VE EVER SEEN

MÁS ALLÁ DE LA CARNE, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Juan Briseño, Juan Briseño, Uxbal Ramírez, Carlos Fuentes, Daniel Obregón Calvelo, Antonio Urdapilleta, Alejandra García, Gonzalo Ramírez, Juan Pablo Caso, Naú Aguilera, Luis Gerardo LoGar. , Joshua Okamoto, Carlo Basabe, Mikael Lacko, Mauro González, Palmar, La Palma de Oro, Anamorfika, Carlo Ayhllón, International Queer Film Festival

MÁS ALLÁ DE LA CARNE

NO HAY QUE DISCULPARSE, BRASIL, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Franco Cavezale, Franco Cavezale, Alessandro Todesco, Franco Cavezale, Ariel Lara, Hugo Affonso, Joao Prata, Bruno Fanin, JP Faceto, Cubo Gira Filmes, Mothmat, International Queer Film Festival

NO HAY QUE DISCULPARSE

NO PUEDO HABLAR, FRANCIA, MEJOR MUSICAL, Karim Lazaar, Karim Lazaar, Karim Lazaar, Karim Lazaar, Anonymous, none, Karim Lazaar, International Queer Film Festival

NO PUEDO HABLAR

PAMELA, ARGENTINA, MEJOR LARGOMETRAJE DOCUMENTAL EXTRANJERO, Marina Carrasco y Daniel Muchiut., Marina Carrasco y Daniel Muchiut., Daniel Muchiut y Julián Muchiut., Daniel Muchiut., Pamela Poletti, Mabel Poletti, Los Topos Films / El Delirio Cine, Nicolás Muchiut., International Queer Film Festival

PAMELA

PAÑUELO BLANCO, PERÚ, MEJOR CORTOMETRAJE UNIVERSITARIO, Aaran Ochante y julissa Lopez, Aarán Ochante y Julissa Lopez, Carolina Urdanegui y Kelly Valera, Jorge Herrera, Ariana Dileo, Karen Iberico, -, -, International Queer Film Festival

PAÑUELO BLANCO

PIEL, ESTADOS UNIDOS, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Leo Behrens, dp_leobehrens, Leo Behrens, Ilayda Çetinkaya, Lio Mehiel, N/A, Mike Forst , International Queer Film Festival

PIEL

PINTURA, ESTADOS UNIDOS, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Callum Blue, Callum Blue, Luka Bazeli, Terrell Sandefur , Aliethea D’Angelo, Alison Kohlhardt, Callum Blue, Heather Matarazzo, Callum Blue, Myles Murphy, Michael Schantz, Keith Barber, Paint Out Film, LLC, Christian Siddell, International Queer Film Festival

PINTURA

PUP PERFETTO, ESTADOS UNIDOS, MEJOR CORTOMETRAJE DOCUMENTAL EXTRANJERO, Henry Baker, Henry Baker, Henry Baker, Henry Baker, Pup Acela/Legend, Pup Zanderwoodz, Pup Sirius, Pup Mowgli, Pup Fury, Henry Baker, Henry Baker, International Queer Film Festival

PUP PERFETTO

PÚRPURA NEÓN, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Lex Renteria, Lex Renteria, Tamara Sánchez, José Mendoza, Mau Fulda, Fer Suárez, Aviesc Who?, Kauyi, -, International Queer Film Festival

PÚRPURA NEÓN

QUEER EXILE, ALEMANIA, MEJOR CORTOMETRAJE DOCUMENTAL EXTRANJERO, Ahmed Awadalla, Ahmed Awadalla, Julian Curico, Not applicable, Ahmed Awadalla, not applicable, Aaro, Enana, International Queer Film Festival

QUEER EXILE

QUIÉREME, MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Saúl Gocha, Saúl Gocha, Billay McHan, Juan Carlos Blanco, Julian Silva, Kaleido, Madison Fork, Centro de Estudios Cinematográficos INDIe, Matias Blanco, International Queer Film Festival

QUIÉREME

RAM (COMO EL VERBO), ESTADOS UNIDOS, MEJOR ANIMADO, Chance Calloway, Chance Calloway, Chance Calloway, Elton Keung, Charlit Dae, Yennaedo Balloo, Yoshi Sudarso, Yennaedo Balloo, Kyle Rezzarday, Stoopid Ambitious, Chance Calloway, International Queer Film Festival

RAM (COMO EL VERBO)

REFLEJO, PERÚ , MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Náyade Wong, Verónica Romero, Emmanuel Gonzales, Náyade Wong , Mariana Sosaya, Piero Zapata Flores, Rocío Florencio, Janet Medina, Abigail Salvador, Solange Ruiz, Ana Lobatón, 7 Lukitas Producciones, Emmanuel Gonzales, International Queer Film Festival

REFLEJO

REPRESA, ALEMANIA, MEJOR CORTOMETRAJE UNIVERSITARIO, Noreen Erkardas, Noreen Erkardas, Julian Zalac, Sharlin Lucia, Silvana Damm, Saskia Caroline Keilbach, Lotta Herzog, Clara Immel and Luise Pauline Ehl, Miguel Klein Medina, x, Paul Schiefelbein, International Queer Film Festival

REPRESA

SAXYFRAGE, ARGENTINA,MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO

SAXYFRAGE

SERÉ BREVE AL MOMENTO DE MORIR, MÉXICO, MEJOR LARGOMETRAJE FICCIÓN MEXICANO, Juan Briseño, Juan Briseño, Isaac Basulto, Rosana Díaz, Pamela Martínez, Ingmar Montes / Consuelo Saldaña, Juan Briseño, Isaac Basulto, Anais Flores, Pamela Martínez, Mónica Rojas, Izrael Moreno., Martín Saracho, Mikael Lacko / Joan Kuri, Nova Coronel, Denisse Corona, The Basulto Company, Alas Rojas, AnaÍs Flores, Carlo Ayhllón, International Queer Film Festival

SERÉ BREVE AL MOMENTO DE MORIR

TACONES AL CIELO , ARGENTINA, MEJOR LARGOMETRAJE DOCUMENTAL EXTRANJERO, Andrés Dunayevich, Celeste Giacchetta , Sebastian Caceres , Andrés Dunayevich , Celeste Giacchetta, Celeste Giacchetta, Alejandra Cabanillas, Soledad Ramirez , Lara Godoy , El Camboyano Producciones , Jerónimo Piazza , International Queer Film Festival

TACONES AL CIELO

TALCAHUANO, ARGENTINA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Ramiro Velasco, Ramiro Velasco, Milagros Chaín, Ramiro Velasco, Verónica Mayorga, Ayelen Tenenbaum, Sofía Lanaro, Matías Dinardo, El Delirio Cine, Manu Caizza & Martín Morita, International Queer Film Festival

TALCAHUANO

TENCHA REINA, ARGENTINA, MEJOR CORTOMETRAJE DOCUMENTAL EXTRANJERO, Maruja Bustamante, Maruja Bustamante, Laura Castro, Maruja Bustamante y Tencha de Sagastizabal, Tencha de Sagastizabal, Maruja Bustamante, Bel Gatti, Agustin Rittano, Jorge Thefs, Maruja Bustamante, Tencha de Sagastizabal, Jose Ocampo, International Queer Film Festival

TENCHA REINA

TERAPIA FÍSICA (PHYSICAL THERAPY), ESTADOS UNIDOS, MEJOR CORTOMETRAJE DOCUMENTAL EXTRANJERO, Ahuatl Amaro, Ahuatl Amaro, Daniel Miramontes, Brian Bonilla & Jason Genao , Jason Genao , Adan Gutierrez , Paloma Esparza Rabinov, Sonia Balcazar, Sarah Owens, Brian Bonilla , Sean Segal , International Queer Film Festival

TERAPIA FÍSICA (PHYSICAL THERAPY)

TODOS TENEMOS UN MUERTO EN EL PLACARD O UN HIJO EN EL CLOSET, ARGENTINA, MEJOR LARGOMETRAJE FICCIÓN EXTRANJERO, Nicolás Teté, Nicolás Teté, Ignacio Aveille, Nicolás Teté, Facundo Gambande, Fernanda Callejon, Lucas Ferraro, Antonella Ferrari, Diego de Paula , animal cine, Esteban Ramos, International Queer Film Festival

TODOS TENEMOS UN MUERTO EN EL PLACARD O UN HIJO EN EL CLOSET

TRANSGRESIÓN, MÉXICO, MEJOR CORTOMETRAJE UNIVERSITARIO, Fermín Alvarado, Fermin alvarado , Mariana Alvarado, Amalinalli Moncibaiz, Ingrid Gomez, Winna Rosas, Sophie Rosas, colos4l4 producciones , Joshua mayorga, International Queer Film Festival

TRANSGRESIÓN

VALENCIA T'ESTIME, ESPAÑA, MEJOR LARGOMETRAJE DOCUMENTAL MEXICANO, Carlos Gimenéz Pons, Carlos Gimenéz Pons, Alejo Serrano, Gabriel Serrano Goria, Antonio Campos "la Margot", Juan Barba, Antonio Moreno, Toni Poveda, Miguel Ángel Fernández, Olga Ramos, Rampova, Vicente Ortuño, Pepe Miralles, Juan Vicente Aliaga, Josema Soler, UKPIK Productions, Josué Vergara, International Queer Film Festival

VALENCIA T'ESTIME

VANITY, REINO UNIDO, MEJOR CORTOMETRAJE UNIVERSITARIO, Alzbeta Bulikova, Alzbeta Bulikova, Kushagra Anand, Alzbeta Bulikova, Kushagra Anand, Luofei Cui, Isabelle Bonfrer as Leah, Tatiana Penfold (Andrea), Riley Neldam, Will Chapel, -, Michael Stringer (composer), International Queer Film Festival

VANITY

VEINTIUNO , MÉXICO, MEJOR CORTOMETRAJE FICCIÓN MEXICANO, Christopher Bedolla, Christopher Bedolla, Celina Manuel / Annel Melgarejo, Marimar Arreola, Nur Chadria, Charlotte Arag, Ramses Magaña, Allison Gómez , Adolfo Calderón, n/h, cKovi, International Queer Film Festival

VEINTIUNO

¡A LA MIERDA ESTA MIERDA, QUIÉNME!, REPÚBLICA CHECA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Daniel Path, Daniel Path, Daniel Path, Pablo Maldonado, Ema Verecká, Bety Tyblova, NA, Lucy Tonight, International Queer Film Festival

¡A LA MIERDA ESTA MIERDA, QUIÉRENME!

¡CANTA, LOLA, CANTA!, MÉXICO, MEJOR CORTOMETRAJE DOCUMENTAL MEXICANO, Paloma Castro, Paloma Castro, Franco González, Coordinadoras de Producción: Daniela Mastretta y Leilani Juárez, Jovany Magaña, Jovany Magaña, Juan Munchi, Madeleine Magaña, Patricia Bello, Universidad de las Américas Puebla, Mariachi Fiesta Poblana, International Queer Film Festival

¡CANTA, LOLA, CANTA!

¡DI LO QUE QUIERAS! ¡VOY A SER REALMENTE FELIZ!, BRASIL, MEJOR LARGOMETRAJE DOCUMENTAL EXTRANJERO, Renato Candido de Lima, Renato Candido de Lima, Mariane Nunes, Pamella Aleixo, Daniel Marques, Dandara Produções Culturais e Audiovisuais, Aloysio Letra, International Queer Film Festival

¡DI LO QUE QUIERAS! ¡VOY A SER REALMENTE FELIZ!

¡¿QUIÉN ES?!, ARGENTINA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Axel Rezinovsky, Axel Rezinovsky, Mirko Katavic, Paola Bustamante, Camila Castoldi, Julia Ferreira, BOLIVAR & RAPSODIA producciones, Gauche Rive, International Queer Film Festival

¡¿QUIÉN ES?!

¿DESAYUNAMOS?, ESPAÑA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, Moiset Pacheco, Moiset Pacheco, Moiset Pacheco, Moiset Pacheco, Mara Guil, Montse Peidro, Jonathan Rodríguez Cuenda, Patricia Ballon, Moiset Pacheco, Ezequiel David Urbano, International Queer Film Festival

¿DESAYUNAMOS?

ÀSAKA, ESPAÑA, MEJOR CORTOMETRAJE FICCIÓN EXTRANJERO, D ( EDDUARDO VIERA), Edduardo Viera, JORGE FERRER, LA CUPULA V S.L / Mono con pistolas S.L, Natalia Faura, Julia Viejo, Laura Falcao, Mireya Diaz, Israel Jiménez , LA CUPULA V S.L / Mono con pistolas S.L, Marcos Cruz Lloréns, International Queer Film Festival

ÀSAKA

bottom of page